You're a fine writer, friend. If I have to make another complaint, I'd say it's a bit annoying to have to hop through the same dialog path albeit in a different order to maybe get a dramatically different response - it'd be hellaciously annoying without the forward/back feature, even. As much as I appreciate the different versions of Kelly, for example, such as when you are precious siblings and then cuddle-hump her inadvertently, or she's a blow job machine throughout the day or you take every opportunity to hump like rabbits and finish inside her - all those still have the same lead up for the events of the day, often only changing midway through the page. Kinda leads to recognizing a page and then skimming the rest to see if anythings different.
Thank you for your kind words.
Yes, I understand your complaints about Kelly. There are technical and creative reasons for why I chose to make her this way. I think because she's the last one I worked on, I got a lot more structural with her. I knew that I wanted the morning events to set her into a certain state for the rest of the day. I bottle necked the Kevin-Judy and Kevin-Abby content, (Judy in the afternoon and Abby in the morning), because they're more conflicted/less friendly about having sex with you and thus made it more diverse/dynamic. I wanted to make it kind of hard to screw it up with Kelly and because of my time frame, I did not have enough time to flush out tangent options for her, (there are a few). But yes, it does get quite wordy and recycled there. I will keep your words in mind though because if you noticed it, then it may be a problem later on.